Southern Graphic Systems

by Michael Paeth, President, FlexoGrafix The one thing consistent in the world of prepress is change ... daily! If keeping up with new software, proofing, screening technology, plate exposure technology, direct-to-plate, and the myriad of other ever-changing facets of prepress isn't for you, you are not alone. But before you put your work into the hands of a trade shop, you should evaluate your needs, and then evaluate the trade shop that will be getting your work. Here are the "Top 10" criteria (in ascending order) to keep in mind when deciding on a trade shop to handle your work. Since everyone's needs

While some suppliers continue to pursue digital platemaking, others remain focused on conventional exposure and processing. by Kate Tomlinson, Assistant Editor THE WORLD IS digital. Digital phones, digital cable, and DVDs (digital video discs) are today's reality—will digital plates make way into every pressroom next? More and more suppliers are working to make digital plates commonplace. But how long will it be before every printer has adopted this approach? The future of digital plates "Without a doubt, once digital platemaking systems come full circle, they will be able to offer printers something they can always use more of—time," says Paul Zeinert, manager of

McCoy Packaging's "Kuleto Villa" wine label poured on enough printing charm to ace two categories and capture Best of Show honors in packagePRINTING's 15th annual Excellence Awards. by Susan Friedman, Editor If McCoy Packaging's Best of Show-winning strategy was to forge an indelible impression in the judge's minds, it succeeded, hands down. McCoy's "Kuleto Villa" wine label repeatedly stood up to its competitors in packagePRINTING's 2001 Excellence Awards, initially nabbing first place in the Labels—Flexo (Process) category, where judges singled it out as a difficult printing, diecutting, and embossing job well executed. "[This label] holds beautiful register at 175 line screen," commented judge Roy

Labels—Flexo (Line) First Place LSK Label Co. El Dorado Hills, CA M.G. Vallejo 750 ml Press: Gallus/Arsoma EM-280 Plates: DuPont Cyrel Anilox Rolls: Harper Dies: CompuDie Substrate: Technicote Ink: Akzo Nobel Judges' Comments: Nice combination of flexo printing with foil stamping/embossing. The sharpness of this entry's line work stood out. Second Place MPI Label Systems Stockton, CA Island Essentials Sunblock Press: Mark Andy 2200 Plates: DuPont Anilox Rolls: Harper Dies: Avis RotoDie Substrate: Fasson Ink: INX International Third Place Tape & Label Engineering St. Petersburg, FL Spring Valley Brewer's Yeast Press: Mark Andy 4150 Plates: DuPont Cyrel Dies: RotoMetrics Substrate: Green Bay Ink: Water

Advances in electronic and laser technology and expanded cylinder choices push the dynamic progression of gravure engraving. By Susan Friedman Gravure engraving technology and service suppliers are carving out distinct grooves that can help package printers make more educated decisions about handling engraving themselves or engaging a trade shop. Bob Balzan, VP sales/marketing at Max Daetwyler Corp., says printers who also engrave typically have two to 10 presses, 25-120 employees, and spend $300,000 to $500,000 for an engraving machine. Engraving service providers contend that taking on the complexities of engraving in-house often results in costly mistakes, and can distract from the core business